Showing posts with label Kharosthi. Show all posts
Showing posts with label Kharosthi. Show all posts

20 June 2008

Persian Influences on Indian Buddhism

Some people will be aware that when Buddhism flowed out of India it went West as well as East. The huge Buddha statues at Bamiyan in Afghanistan are a result of this, as are, apparently the Arabian Nights stories which are based to some extent on the Jataka tales. But few people will know that there was some traffic in the other direction.

It should come as no surprise really. The Khyber Pass continues to be the main route into and out of Pakistan in the North-west. But the evidence for this inflowing of traffic is all rather sketchy. I want to discuss two main items here: the presence of Babylonian Omens in the Dīgha Nikāya; and aspects of the Arapacana Alphabet.

Some years ago now the late Professor David Pingree noticed that the first sutta of the Dīgha Nikāya, the Brahmajāla Sutta, contained a list of omens. The context is that the Buddha is spelling out to the bhikkhus that he considers divination and the interpreting of omens as wrong livelihood for a bhikkhu. The reasons for this are not clear but I suspect that it was one of many ways in which the Buddhist sangha tried to make itself distinctive from a. laymen, and b. ascetics from other traditions. The interesting feature of this list is that in both form and content it very closely resembles a Babylonian omen manual preserved in cuneiform writing in what is now Iran. Professor Pingree closely compares the items on the two lists and the order in which they appear and concludes that they are practically identical. Now we know the date of the cuneiform writing since it is pushed into clay and it very definitely pre-dates Buddhism in India. It's widely known amongst historians, and largely overlooked by Buddhists, that the Achaemanid Empire was in control of much of what is now Pakistan at the time of the Buddha (even allowing for the disputes over his dates). Interestingly the Pāli commentaries tell us that kings of Magadha used to send their sons to Taxila to be educated in administration and other disciplines, and Taxila at the time was a Persian enclave. At some point one or other of these young nobles must have either returned with the knowledge of these omens, or with someone else possessed it. Another scholar speculates that the Buddha's father employed Chaldean (ie Persian) magicians though I think this is not supported by the evidence.

The Achaemanids were defeated and their empire destroyed by Alexander the Great whose own empire did not outlive it's creator by very long. It took a few generations for the Persians to regroup. By the time the Sassanian Persians were starting to make their presence felt, Gāndhāra had become one of the most important centres for Buddhist innovation and inspiration. The Persians by this time had abandoned the elaborate cuneiform script and begun to use a form of Aramaic. It is this Aramaic script which forms the basis for the earliest known Indian script: Kharoṣṭhī. Kharoṣṭhī is written right to left, and it has several characters in common (and with the same phonetic value) as Aramaic. It also only has one sign for initial vowels which is modified using diacritic marks to produce the full range of Indian vowels. This is because the Semitic Languages which employ Aramaic scripts do not allow words to begin with a vowel. The vowel sign in Kharoṣṭhī is modelled on, and is used like, a consonant. This is interesting in itself since Gāndhāra is probably the place where writing was first used in India, and it is one of the places where Buddhists first began to write down sutras.

Richard Salomon has shown with some certainty that the Arapacana alphabet is simply the Gāndhāri alphabet. He has hinted (to me in an email) that he knows why it is in the order that it is, which is different from other Indian alphabets, but as yet has not published his thoughts on this. One of the things about the Arapacana alphabet is that it is frequently associated with a series of verses in which a keyword starting with each letter of the alphabet either begins the line, or features prominently in it. Although the Indians did impose meter on their writings very commonly, and although collections of verses, such as the Vedas or the suttas in the Saṃyutta Nikāya, are arranged numerically, I am not aware of any other alphabetical list. But there are a number of Manichean hymns and Hebrew Psalms which are. So it seems as though the Arapacana was influenced by Semitic ideas via the Persians. What is more Jan Nattier has observed that the Arapacana verses are the earliest verses associated with the word "dhāraṇī", and could in fact be the original dhāraṇī. It is obvious that the alphabetical verses were a mnemonic aid, and so this accords with what is said about dhāraṇīs later. Actually it is interesting to note that most dhāraṇīs serve no obvious mnemonic function, and the association with memory is just a conceptual legacy. The conclusion here is that Persian influences were behind the creation and adoption of dhāraṇīs by Buddhists in Gāndhāra. I cannot prove this, but it is one explanation which fits the known facts.

The contact between India and the West, especially via the Khyber Pass is underplayed I think. More research might turn up more evidence of the cultural exchanges that took place and the way they shaped Buddhism over the years. It will reinforce the nascent realisation that Buddhism was not so different from other Indian religions in it's assimilation of ideas, concepts, and practices from the others.

Further Reading

Nattier, J. 2000. A few good men. (University of Hawaii Press)

Pingree, David.
  • 1963. Astronomy and Astrology in India and Iran. Isis. vol.54 (2), p.229-246.
  • 1998. Legacies in astronomy and celestial omens in The Legacy of Mesopotamia (Oxford University Press,) p.125-137
  • 1991. Mesopotamian omens in Sanskrit paper presented at La Circulation des biens, des personnes et des idées dans le proche-oriet ancien. Actes de la XXXVIIIe Recontre Assyriologique Internationale. Paris, 8-10 juillet. (Paper is in English)
Salomon, Richard.
  • 1990. New evidence for a Gāndhārī origin of the arapacana syllabary. Journal of the American Oriental Society. Apr-Jun, Vol.110 (2), p.255-273.
  • 1993. An additoinal note on arapacana. Journal of the American Oriental Society. Vol.113 (2), p.275-6.
  • 2006. Kharoṣṭhī syllables used as location markers in Gāndhāran stūpa architecture. Pierfrancesco Callieri, ed., Architetti, Capomastri, Artigiani: L’organizzazione dei cantieri e della produzione artistica nell’asia ellenistica. Studi offerti a Domenico Faccenna nel suo ottantesimo compleanno. (Serie Orientale Rome 100; Rome: Istituto Italiano per l’Africa e l’Oriente, 2006), pp. 181-224. [many thanks to Dr Salomon for sending me a copy of this paper]

19.10.2012 Eisel Mazard recently wrote a blog post about a story that occurs in both the Jātakas and Herodotus. The latter attributes the story to the Persian king Darius, which may indicate that it is originally a Persian story. The link is a bit tenuous, but if a Persian story also ends up in a Jātaka then it is another thread connecting Persia and Buddhist India.

01 November 2007

The Essence of all Mantras

I declare that A
is the essence of all mantras,
and from it arise mantras without number;
and it produces in entirety the Awareness
which stills all conceptual proliferations.

The Mahāvairocana Abhisaṃbodhi Tantra
translated by Stephen Hodge (XVIII.3, p.326-7)

I was fortunate enough to attend a lecture by Professor Richard Salomon recently. He heads up the Early Buddhist Manuscripts Project which is based around Kharoṣṭhī script manuscripts from Gāndhāra and in the Gāndhāri language. These texts which are held in the British Library are very old, dating to the 1st or 2nd century common era. Gāndhāra is a very interesting area, having been the entry point to India for immigrants, traders, and invaders for many centuries. So it was a very rich and diverse culture. Kharoṣṭhī was the first script used to write India languages, and that it was derived from the version of the Aramaic script used by various Persian conquerors. In Kharoṣṭhī there is one sign for an initial vowel - the short a. To indicate other vowels one uses diacritic marks, in the same was that medial and final vowels are indicated by diacritic marks on consonant signs. Kharoṣṭhī was later displaced by Brahmī from which all modern Indian scripts (as well as most South-east Asian scripts, and the various forms of Tibetan writing)

Regular readers will be aware that I've been interested in the Arapacana alphabet for a while. One of the features of the Arapacana is that is has only one initial vowel sign. Professor Salomon has shown that this is almost certainly because it was the alphabet of the Gāndhāri language which was written in Kharoṣṭhī. It seems that this is a related to the absence of initial vowels in the Aramaic script - they are not used in Semitic languages. When designing a script to write Buddhist texts one needs to be able to write initial vowels, for instance: evam mayā śutam (Thus have I heard which begins all Buddhist sūtras). Brahmī scripts use a different sign for each vowel (although long vowels are indicated with diacritics marks in most cases).

Kharoṣṭhī vowels
a i u e o ṛ aṃ
Kharoṣṭhī created a single vowel sign on the model of the consonant signs - it is simply 'a' if unadorned, but can become any vowel with diacritic marks.

The quote at the beginning of this post may not be familiar, but the sentiment might be. The letter a has this special place in Buddhist thought and practice. One explanation is that the letter a, when added to the beginning of most Sanskrit nouns, it turns them into their opposite: vidya is knowledge, while avidya, is ignorance. This allows us to use the letter a to stand for the Truth which cannot be fully comprehended by language: it is possible to negate any definite statement about the transcendental (including this one!).

However I don't think this alone accounts for the notion that the letter a is the source of all mantras, if only because the a- prefix for verbs usually indicates the imperfect past tense rather than any sense of negation. Another idea relates to the way that Indic alphabets attach an inherent short letter a to each consonant. So the Sanskrit consonants are written as syllables or phonemes - called akṣara - (e.g. ka kha ga gha ṅa); not simply letters (e.g. k kh g gh ṅ). As in Kharoṣṭhī, medial and final vowels are indicated by diacritic marks. This is quite a good way of looking at it, but there is still a slight flaw which involves the vowels.

Sanskrit vowels in Siddhaṃ script
a ā i ī u ū e ai
o au aṃ aḥ ṛ ṝ ḷ ḹ
अ आ इ ई ए ऐ
ओ औ अं अः ऋ ॠ ऌ ॡ
The vowels, except for ā, aṃ and aḥ , can't really be considered to derive from the letter a. All vowels are similar in that they are voiced similarly - differences in sound are due to shifts in the tongue and lips changing the resonant frequency of the vocal track, but it doesn't seem to be enough to consider, say, the letter ī to derive from the letter a. Graphically the vowels are mostly not related to the shape of the letter a either. This is all true of the Brahmī derived scripts. It is not quite true for Kharoṣṭhī however because of the single initial vowel.

My suggestion is that the special function of the letter a in Buddhism is a relic of the Gāndhāra area. It is only in Kharoṣṭhī that all signs for letters derive from, or contain, the short a.

One piece of supporting evidence comes from the Sūtra of Perfect Wisdom in 25,000 Lines. This sutra was probably composed in the 2nd or 3rd century, and is preserved in a variety of Sanskrit originals, as well as in Tibetan and Chinese translations. In the sūtra the alphabet is used as a mnemonic for a series of reflections on the nature of phenomena. Each letter is indicated by a keyword starting with that letter; and each word is the basis for a line of verse. Being a Sanskrit text one might expect the Sanskrit alphabet to be used, but it is not. The alphabet is a partially Sanskritised version of the Arapacana alphabet. Even in the fully Sanskritised version of this practice - present for example in the Mahāvairocana Abhisaṃbodhi Tantra - the vowels are sometimes left off so we have the Sanskrit consonants, but the letter a as the only vowel. The tradition is preserved and the trail seems to lead back to Gāndhāra, at least on Indian soil.

I say "on Indian soil" because the use of alphabetical verses, that is to say verses in which the first letter of the first word of each line are in alphabetical order (a kind of acrostic) is unknown in pre-Buddhist India. Verses were organised by length, and by numerical schemes, but not alphabetically. Verses were arranged alphabetically in Semitic cultures, so there are Old Testament psalms and Manichean hymns with verses in alphabetical order. Which brings us around in a circle to the Semitic origins of Kharoṣṭhī.

The letter a, then , is the source of all the other letters in the alphabet; and the alphabet is the source of all the mantras - hence the composer(s) of the Mahāvairocana abhisaṃbodhi Tantra could say that "from [a] arise mantras without number".

If you'd like to learn to write the letter a in the Siddhaṃ script then visit my other website:

image: Siddha letter a from AKARA : The Quest for Perfect Form
(although it looks identical to one in John Steven's book Sacred Calligraphy in the Eastempty img for amazon associates, p43.)